HOW ARE YOU RECEIVING DANCE AND POETRY: THROUGH WHICH TECHNOLOGIES AND SITUATIONS? (JULYEN)

HOW ARE YOU RECEIVING DANCE AND POETRY: THROUGH WHICH TECHNOLOGIES AND SITUATIONS? (JULYEN)

Topic Title:   How are you receiving dance and poetry- through which technologies and situations? Name of person who called the session:     JULYEN   List of Participants: N/A     ________________________________________________   Discussion / Recommendations / Next Steps:     “GONE FISHING - HAPPILY SO” (signed Julyen)
WHAT ARE THE DIFFERENT/SIMILAR PROCESSES OF LANGUAGING AND MOVING? (VIDA)

WHAT ARE THE DIFFERENT/SIMILAR PROCESSES OF LANGUAGING AND MOVING? (VIDA)

Topic Title:   What are the different:similar processes of languaging and moving? Name of person who called the session: VIDA List of Participants: ________________________________________________________________________ Discussion / Recommendations / Next Steps: What do we mean by languaging? - friday the physical voice in the body Meaning making, as (more) evident in words The addition of just...
HOW CAN I GET BEYOND MY RESISTANCE AND PERFORM REGULARLY? (KATE)

HOW CAN I GET BEYOND MY RESISTANCE AND PERFORM REGULARLY? (KATE)

Remember the first time you went to a show and saw your favorite band. You wore their shirt, and sang every word. You didn’t know anything about scene, haircuts, or what was cool. All you knew was that this music made you feel different from anyone you shared a locker with. Someone finally understood you. This is what music is about.

HOW CAN WE CONTINUE MAKING THIS WORK AMONGST US? (SOPHIE/ANTONIO)

HOW CAN WE CONTINUE MAKING THIS WORK AMONGST US? (SOPHIE/ANTONIO)

Remember the first time you went to a show and saw your favorite band. You wore their shirt, and sang every word. You didn’t know anything about scene, haircuts, or what was cool. All you knew was that this music made you feel different from anyone you shared a locker with. Someone finally understood you. This is what music is about.

nightrunning 14 November 2014
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nightrunning 14 November 2014

NIGHTRUNNING ON HACKNEY MARSHES (Nightrunning happened from 6pm on Friday 14th November 2014, Hackney Marshes, East London with twenty participants – led by myself and James Cross. It was inspired by Gardzienice’s actor-training practice which focuses on communal breath and rhythmic practice.) Inspired by the night, I wrote the following poem the next day as…

What_Now 2014
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What_Now 2014

What_Now 2014 I’m writing now, at my desk, being sedentary, thinking, not thinking, a bit stuck (PhD chapter), then I’ll go to see Les Ballets C de la B and then I’ll come home and pack for this – four days occupying Siobhan Davies studios for What_Now 2014, and look forward to a different, and perhaps…

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My MA thesis: What to do with Gestus Today? Version II

Even when a character behaves by contradictions that’s only because nobody can be identically the same at two unidentical moments.  Changes in his exterior continually lead to an inner reshuffling.  The continuity of the ego is a myth.  A man is an atom that perpetually breaks up and forms anew.  We have to show things…