Robert Vesty (he/they)
I’m a London-based actor, educator and Feldenkrais Practitioner with a background in Theatre, though I’m currently developing my practice as an Intimacy Coordinator for Film and TV, having embarked on the inaugural certification programme with the National Film and Television School. Across all my work, I’m interested in improvisation as well as the intersection between class, queerness and access in relation to the arts, bodies and movement.
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Longer bio:
I’m a queer person from a working-class background now living in East London with my spouse. I grew up half in Lancashire and half in Essex through the 70s and 80s. I was the eldest of three boys and a first-generation University student. I originally trained as an actor (University of Birmingham and Royal Welsh College of Music and Drama) in the 90s, but I’ve maintained an interdisciplinary performance practice over many years. I have also had extensive experience working in Higher Education. Until May 2024, I was Senior Lecturer at Middlesex University where I taught on the BA Theatre programme, led the MA in Professional Arts Practice and co-chaired the LGBT+ Staff Network. I was a long-term visiting lecturer at Central School of Speech and Drama, teaching movement (through the Feldenkrais Method) on the Collaborative Devised Theatre course between 2016 and 2021. In 2020, I completed my PhD thesis entitled Material Words for Voicing Dancers (Royal Holloway University of London) based on practice-led research that investigated the use of voice in some dance improvisatory performance practices. I graduated from the London II training as a practitioner of the Feldenkrais Method® in 2015. The thing that brings all this together is a specialism in movement for actors within the field of consent-based performance in both practice and research.
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Recent Posts
Sand and Vision directed by Julyen Hamilton
Sand and Vision – a series of four solo pieces by Agostina D’alessandro, Billie Hanne, Anna Heuer Hansen and Robert Vesty. Directed by Julyen Hamilton. Brussels, April 2016 – Sand and Vision directed by Julyen Hamilton
Call for Contributions to Choreographic Practices Journal – WORDS and DANCE, special edition
Call for Contributions to WORDS and DANCE Guest Associate Editor: Robert Vesty (Middlesex University) Call for ContributionsDeadline for full essays: June 1st 2016 This special journal issue of Choreographic Practices – WORDS and DANCE – aims to draw together, contribute to and exemplify debates around the use of spoken word in current and future 21st…
Gwineverra, Tom and the Enemy of Man
Gwineverra, Tom and the Enemy of Man is a graphic novel performance set at the very beginning of the 21st century. There is dream and death. The characters live in a crime-ridden city where the placement of action and words is offhand and seeks no forgiveness, yet is soft and ultimate, an instant memory, a mark. Something…