IF THROUGH OUR OWN PERMISSION TO MAKE WE OFFER A CHANGE TO OTHERS ARE WE INTERESTED IN THE EFFECT OF WHAT WE CREATE IN OUR AUDIENCE AND HOW DO WE FIND OUT? (MARGARET)

Topic: How do I get paid for my work Topic leader: Kathleen Downie Other people who attended: Delphine – came at the start and mostly we talked alone. Later Suzanne, Billie Hanne and someone else whos name I didn’t catch came. Its about having an external reason/energy/context to make work. For the world to receive…

(Photos: Maria Andrews)

Pieces THE PURSUIT BENCE a pre-written text, written by Bence a dialogue or monologue the subject of the text: philosophy of trying to reach beauty in life. When the object of desire is beauty, what does one do to get it. A philosophical deconstruction of beauty, how this is present in reality, how we seek…

What are the elements that are lost in translation? – Is it lost or transformation? – Do we need to be understood? and is it important in performance for the audience to know your intension, mood, atmosphere? – Perhaps mix any languages/sound that resonate and capture the intension of that moment. What happens physically when…

What Skills are Required of the Dancer and Poet to Produce Poetry and Dance in Performance? REPORT? What are the different/similar processes of languaging and moving?  (VIDA) Typed How Do I Start to Work In A Studio? (STEFANIE) Typed How can I get beyond my resistance and perform regularly (KATE) How does the poem remain…

Topic: what can Poetry be in dance? what can Dance be in poetry? You can listen to the first part of the discussion here: List of participants (if known): SJ Robert Sarie Julyen Antonio Martino Margaret ———————- Discussion / recommendations / next steps… Lots of loops into the fact that, historically, dance and poetry were…