IF THROUGH OUR OWN PERMISSION TO MAKE WE OFFER A CHANGE TO OTHERS ARE WE INTERESTED IN THE EFFECT OF WHAT WE CREATE IN OUR AUDIENCE AND HOW DO WE FIND OUT? (MARGARET)

Topic Title:   How are you receiving dance and poetry- through which technologies and situations? Name of person who called the session:     JULYEN   List of Participants: N/A     ________________________________________________   Discussion / Recommendations / Next Steps:     “GONE FISHING – HAPPILY SO” (signed Julyen)

(Photos: Maria Andrews)

Pieces THE PURSUIT BENCE a pre-written text, written by Bence a dialogue or monologue the subject of the text: philosophy of trying to reach beauty in life. When the object of desire is beauty, what does one do to get it. A philosophical deconstruction of beauty, how this is present in reality, how we seek…

Topic: How do I get paid for my work Topic leader: Kathleen Downie Other people who attended: Delphine – came at the start and mostly we talked alone. Later Suzanne, Billie Hanne and someone else whos name I didn’t catch came. Its about having an external reason/energy/context to make work. For the world to receive…

Topic: How does a poem remain a poem in movement? Topic champion: Scott Those who assisted (in order of appearance): Manou, Billie, Antonio, Maria, Rob Topics we spoke about: -Words on paper versus words in space (memorisation vs page) -Set words versus instantly composed words -Improvisation vs instant composition vs live-editing -A performance being contained…

What Skills are Required of the Dancer and Poet to Produce Poetry and Dance in Performance? REPORT? What are the different/similar processes of languaging and moving?  (VIDA) Typed How Do I Start to Work In A Studio? (STEFANIE) Typed How can I get beyond my resistance and perform regularly (KATE) How does the poem remain…