IF THROUGH OUR OWN PERMISSION TO MAKE WE OFFER A CHANGE TO OTHERS ARE WE INTERESTED IN THE EFFECT OF WHAT WE CREATE IN OUR AUDIENCE AND HOW DO WE FIND OUT? (MARGARET)

Topic: How does a poem remain a poem in movement? Topic champion: Scott Those who assisted (in order of appearance): Manou, Billie, Antonio, Maria, Rob Topics we spoke about: -Words on paper versus words in space (memorisation vs page) -Set words versus instantly composed words -Improvisation vs instant composition vs live-editing -A performance being contained…

(Photos: Maria Andrews)

Evening News: Evening News from OS Poetry and Dance The most important priority that emerged from today for those who felt they could share… Discovering the principal with instant composition. Rethinking relationship to words on a page. Remain open and fully invested in what you’re doing here rather than thinking of outcomes or what you…

Topic: what can Poetry be in dance? what can Dance be in poetry? You can listen to the first part of the discussion here: List of participants (if known): SJ Robert Sarie Julyen Antonio Martino Margaret ———————- Discussion / recommendations / next steps… Lots of loops into the fact that, historically, dance and poetry were…

Topic Title:   What are the different:similar processes of languaging and moving? Name of person who called the session: VIDA List of Participants: ________________________________________________________________________ Discussion / Recommendations / Next Steps: What do we mean by languaging? – friday the physical voice in the body Meaning making, as (more) evident in words The addition of just…

What Skills are Required of the Dancer and Poet to Produce Poetry and Dance in Performance? REPORT? What are the different/similar processes of languaging and moving?  (VIDA) Typed How Do I Start to Work In A Studio? (STEFANIE) Typed How can I get beyond my resistance and perform regularly (KATE) How does the poem remain…