IF THROUGH OUR OWN PERMISSION TO MAKE WE OFFER A CHANGE TO OTHERS ARE WE INTERESTED IN THE EFFECT OF WHAT WE CREATE IN OUR AUDIENCE AND HOW DO WE FIND OUT? (MARGARET)

What Skills are Required of the Dancer and Poet to Produce Poetry and Dance in Performance? REPORT? What are the different/similar processes of languaging and moving?  (VIDA) Typed How Do I Start to Work In A Studio? (STEFANIE) Typed How can I get beyond my resistance and perform regularly (KATE) How does the poem remain…

Topic Title:   What are the different:similar processes of languaging and moving? Name of person who called the session: VIDA List of Participants: ________________________________________________________________________ Discussion / Recommendations / Next Steps: What do we mean by languaging? – friday the physical voice in the body Meaning making, as (more) evident in words The addition of just…

(Photos: Maria Andrews)

Topic: How do I get paid for my work Topic leader: Kathleen Downie Other people who attended: Delphine – came at the start and mostly we talked alone. Later Suzanne, Billie Hanne and someone else whos name I didn’t catch came. Its about having an external reason/energy/context to make work. For the world to receive…

Evening News: Evening News from OS Poetry and Dance The most important priority that emerged from today for those who felt they could share… Discovering the principal with instant composition. Rethinking relationship to words on a page. Remain open and fully invested in what you’re doing here rather than thinking of outcomes or what you…

TOPIC TITLE: What To Do About Technology? NAME OF PERSON CONVENING: ROBERT VESTY LIST OF PARTICIPANTS VIDA MIGELOW ROBERT VESTY JULYEN HAMILTON SUSAN KEMPSTER ______________________________________________________________________________________ Discussions / Recommendations / Next Step: I called this because I know how integral technology is to Julyen and Billie’s work, both within it often but also as a way…