WHAT SKILLS ARE REQUIRED OF THE DANCER AND POET TO PRODUCE POETRY AND DANCE IN PERFORMANCE? (MAIN QUESTION)

WHAT SKILLS ARE REQUIRED OF THE DANCER AND POET TO PRODUCE POETRY AND DANCE IN PERFORMANCE? (MAIN QUESTION)

[vc_row][vc_column][vc_column_text css=”.vc_custom_1649272174796{background-color: #fcd7cf !important;}”] What Skills are Required of the Dancer and Poet to Produce Poetry and Dance in Performance? REPORT? What are the different/similar processes of languaging and moving?  (VIDA) Typed How Do I Start to Work In A Studio? (STEFANIE) Typed How can I get beyond my resistance and perform regularly (KATE) How…

WHAT ARE THE ELEMENTS THAT ARE LOST IN TRANSLATION? (MAKIKO)

WHAT ARE THE ELEMENTS THAT ARE LOST IN TRANSLATION? (MAKIKO)

[vc_row][vc_column][vc_column_text css=”.vc_custom_1649272259236{background-color: #fcd7cf !important;}”] What are the elements that are lost in translation? – Is it lost or transformation? – Do we need to be understood? and is it important in performance for the audience to know your intension, mood, atmosphere? – Perhaps mix any languages/sound that resonate and capture the intension of that moment….

WHAT CAN POETRY BE IN DANCE? WHAT CAN DANCE BE IN POETRY? (SARIE)

WHAT CAN POETRY BE IN DANCE? WHAT CAN DANCE BE IN POETRY? (SARIE)

[vc_row][vc_column][vc_column_text css=”.vc_custom_1649272331301{background-color: #fcd7cf !important;}”]Topic: what can Poetry be in dance? what can Dance be in poetry? You can listen to the first part of the discussion here:   List of participants (if known): SJ Robert Sarie Julyen Antonio Martino Margaret ———————- Discussion / recommendations / next steps… Lots of loops into the fact that, historically,…

EVENING NEWS (BECCY)

EVENING NEWS (BECCY)

[vc_row][vc_column][vc_column_text css=”.vc_custom_1649272439671{background-color: #fcd7cf !important;}”]Evening News: Evening News from OS Poetry and Dance The most important priority that emerged from today for those who felt they could share… Discovering the principal with instant composition. Rethinking relationship to words on a page.   Remain open and fully invested in what you’re doing here rather than thinking of outcomes…

HOW DO I GET PAID FOR MY WORK? (KATHLEEN)

HOW DO I GET PAID FOR MY WORK? (KATHLEEN)

[vc_row][vc_column][vc_column_text css=”.vc_custom_1649272474746{background-color: #fcd7cf !important;}”]Topic: How do I get paid for my work Topic leader: Kathleen Downie Other people who attended: Delphine – came at the start and mostly we talked alone. Later Suzanne, Billie Hanne and someone else whos name I didn’t catch came. Its about having an external reason/energy/context to make work. For the…

WHAT TO DO ABOUT TECHNOLOGY? (ROBERT)

WHAT TO DO ABOUT TECHNOLOGY? (ROBERT)

[vc_row][vc_column][vc_column_text css=”.vc_custom_1649272512461{background-color: #fcd7cf !important;}”]TOPIC TITLE: What To Do About Technology? NAME OF PERSON CONVENING: ROBERT VESTY LIST OF PARTICIPANTS VIDA MIGELOW ROBERT VESTY JULYEN HAMILTON SUSAN KEMPSTER ______________________________________________________________________________________ Discussions / Recommendations / Next Step: I called this because I know how integral technology is to Julyen and Billie’s work, both within it often but also…

IF THROUGH OUR OWN PERMISSION TO MAKE WE OFFER A CHANGE TO OTHERS ARE WE INTERESTED IN THE EFFECT OF WHAT WE CREATE IN OUR AUDIENCE AND HOW DO WE FIND OUT? (MARGARET)

IF THROUGH OUR OWN PERMISSION TO MAKE WE OFFER A CHANGE TO OTHERS ARE WE INTERESTED IN THE EFFECT OF WHAT WE CREATE IN OUR AUDIENCE AND HOW DO WE FIND OUT? (MARGARET)

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WHAT PIECE WOULD YOU LIKE TO MAKE NEXT AND HOW? (BILLIE)

WHAT PIECE WOULD YOU LIKE TO MAKE NEXT AND HOW? (BILLIE)

[vc_row][vc_column][vc_column_text css=”.vc_custom_1649272659007{background-color: #fcd7cf !important;}”] Pieces THE PURSUIT BENCE a pre-written text, written by Bence a dialogue or monologue the subject of the text: philosophy of trying to reach beauty in life. When the object of desire is beauty, what does one do to get it. A philosophical deconstruction of beauty, how this is present in…

HOW DOES A POEM REMAIN A POEM IN MOVEMENT? (SCOTT)

HOW DOES A POEM REMAIN A POEM IN MOVEMENT? (SCOTT)

[vc_row][vc_column][vc_column_text css=”.vc_custom_1649272691362{background-color: #fcd7cf !important;}”]Topic: How does a poem remain a poem in movement? Topic champion: Scott Those who assisted (in order of appearance): Manou, Billie, Antonio, Maria, Rob Topics we spoke about: -Words on paper versus words in space (memorisation vs page) -Set words versus instantly composed words -Improvisation vs instant composition vs live-editing -A…

HOW ARE YOU RECEIVING DANCE AND POETRY: THROUGH WHICH TECHNOLOGIES AND SITUATIONS? (JULYEN)

HOW ARE YOU RECEIVING DANCE AND POETRY: THROUGH WHICH TECHNOLOGIES AND SITUATIONS? (JULYEN)

[vc_row][vc_column][vc_column_text css=”.vc_custom_1649272731475{background-color: #fcd7cf !important;}”]Topic Title:   How are you receiving dance and poetry- through which technologies and situations? Name of person who called the session:     JULYEN   List of Participants: N/A     ________________________________________________   Discussion / Recommendations / Next Steps:     “GONE FISHING – HAPPILY SO” (signed Julyen)[/vc_column_text][/vc_column][/vc_row]