IF THROUGH OUR OWN PERMISSION TO MAKE WE OFFER A CHANGE TO OTHERS ARE WE INTERESTED IN THE EFFECT OF WHAT WE CREATE IN OUR AUDIENCE AND HOW DO WE FIND OUT? (MARGARET)

(Photos: Maria Andrews)

Topic: How do I get paid for my work Topic leader: Kathleen Downie Other people who attended: Delphine – came at the start and mostly we talked alone. Later Suzanne, Billie Hanne and someone else whos name I didn’t catch came. Its about having an external reason/energy/context to make work. For the world to receive…

Topic: what can Poetry be in dance? what can Dance be in poetry? You can listen to the first part of the discussion here: List of participants (if known): SJ Robert Sarie Julyen Antonio Martino Margaret ———————- Discussion / recommendations / next steps… Lots of loops into the fact that, historically, dance and poetry were…

What are the elements that are lost in translation? – Is it lost or transformation? – Do we need to be understood? and is it important in performance for the audience to know your intension, mood, atmosphere? – Perhaps mix any languages/sound that resonate and capture the intension of that moment. What happens physically when…

Remember the first time you went to a show and saw your favorite band. You wore their shirt, and sang every word. You didn’t know anything about scene, haircuts, or what was cool. All you knew was that this music made you feel different from anyone you shared a locker with. Someone finally understood you. This is what music is about.

Remember the first time you went to a show and saw your favorite band. You wore their shirt, and sang every word. You didn’t know anything about scene, haircuts, or what was cool. All you knew was that this music made you feel different from anyone you shared a locker with. Someone finally understood you. This is what music is about.