IF THROUGH OUR OWN PERMISSION TO MAKE WE OFFER A CHANGE TO OTHERS ARE WE INTERESTED IN THE EFFECT OF WHAT WE CREATE IN OUR AUDIENCE AND HOW DO WE FIND OUT? (MARGARET)

(Photos: Maria Andrews)

What Skills are Required of the Dancer and Poet to Produce Poetry and Dance in Performance? REPORT? What are the different/similar processes of languaging and moving?  (VIDA) Typed How Do I Start to Work In A Studio? (STEFANIE) Typed How can I get beyond my resistance and perform regularly (KATE) How does the poem remain...

Pieces THE PURSUIT BENCE a pre-written text, written by Bence a dialogue or monologue the subject of the text: philosophy of trying to reach beauty in life. When the object of desire is beauty, what does one do to get it. A philosophical deconstruction of beauty, how this is present in reality, how we seek...

Topic: How does a poem remain a poem in movement? Topic champion: Scott Those who assisted (in order of appearance): Manou, Billie, Antonio, Maria, Rob Topics we spoke about: -Words on paper versus words in space (memorisation vs page) -Set words versus instantly composed words -Improvisation vs instant composition vs live-editing -A performance being contained...

Topic: what can Poetry be in dance? what can Dance be in poetry? You can listen to the first part of the discussion here:   https://www.spaceandwordsfordancers.co.uk/wp-content/uploads/2015/07/Saries-Discussion.mp3 List of participants (if known): SJ Robert Sarie Julyen Antonio Martino Margaret ---------------------- Discussion / recommendations / next steps... Lots of loops into the fact that, historically, dance and...

What are the elements that are lost in translation? - Is it lost or transformation? - Do we need to be understood? and is it important in performance for the audience to know your intension, mood, atmosphere? - Perhaps mix any languages/sound that resonate and capture the intension of that moment. What happens physically when...