IF THROUGH OUR OWN PERMISSION TO MAKE WE OFFER A CHANGE TO OTHERS ARE WE INTERESTED IN THE EFFECT OF WHAT WE CREATE IN OUR AUDIENCE AND HOW DO WE FIND OUT? (MARGARET)

What are the elements that are lost in translation? – Is it lost or transformation? – Do we need to be understood? and is it important in performance for the audience to know your intension, mood, atmosphere? – Perhaps mix any languages/sound that resonate and capture the intension of that moment. What happens physically when…

Topic: what can Poetry be in dance? what can Dance be in poetry? You can listen to the first part of the discussion here: List of participants (if known): SJ Robert Sarie Julyen Antonio Martino Margaret ———————- Discussion / recommendations / next steps… Lots of loops into the fact that, historically, dance and poetry were…

Topic Title:   What are the different:similar processes of languaging and moving? Name of person who called the session: VIDA List of Participants: ________________________________________________________________________ Discussion / Recommendations / Next Steps: What do we mean by languaging? – friday the physical voice in the body Meaning making, as (more) evident in words The addition of just…

Evening News: Evening News from OS Poetry and Dance The most important priority that emerged from today for those who felt they could share… Discovering the principal with instant composition. Rethinking relationship to words on a page. Remain open and fully invested in what you’re doing here rather than thinking of outcomes or what you…

Topic Title:   How are you receiving dance and poetry- through which technologies and situations? Name of person who called the session:     JULYEN   List of Participants: N/A     ________________________________________________   Discussion / Recommendations / Next Steps:     “GONE FISHING – HAPPILY SO” (signed Julyen)

(Photos: Maria Andrews)