IF THROUGH OUR OWN PERMISSION TO MAKE WE OFFER A CHANGE TO OTHERS ARE WE INTERESTED IN THE EFFECT OF WHAT WE CREATE IN OUR AUDIENCE AND HOW DO WE FIND OUT? (MARGARET)

Pieces THE PURSUIT BENCE a pre-written text, written by Bence a dialogue or monologue the subject of the text: philosophy of trying to reach beauty in life. When the object of desire is beauty, what does one do to get it. A philosophical deconstruction of beauty, how this is present in reality, how we seek…

Remember the first time you went to a show and saw your favorite band. You wore their shirt, and sang every word. You didn’t know anything about scene, haircuts, or what was cool. All you knew was that this music made you feel different from anyone you shared a locker with. Someone finally understood you. This is what music is about.

Topic Title:   What are the different:similar processes of languaging and moving? Name of person who called the session: VIDA List of Participants: ________________________________________________________________________ Discussion / Recommendations / Next Steps: What do we mean by languaging? – friday the physical voice in the body Meaning making, as (more) evident in words The addition of just…

TOPIC TITLE: What To Do About Technology? NAME OF PERSON CONVENING: ROBERT VESTY LIST OF PARTICIPANTS VIDA MIGELOW ROBERT VESTY JULYEN HAMILTON SUSAN KEMPSTER ______________________________________________________________________________________ Discussions / Recommendations / Next Step: I called this because I know how integral technology is to Julyen and Billie’s work, both within it often but also as a way…

Remember the first time you went to a show and saw your favorite band. You wore their shirt, and sang every word. You didn’t know anything about scene, haircuts, or what was cool. All you knew was that this music made you feel different from anyone you shared a locker with. Someone finally understood you. This is what music is about.

What are the elements that are lost in translation? – Is it lost or transformation? – Do we need to be understood? and is it important in performance for the audience to know your intension, mood, atmosphere? – Perhaps mix any languages/sound that resonate and capture the intension of that moment. What happens physically when…