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My MA thesis: What to do with Gestus Today? Version II
Even when a character behaves by contradictions that’s only because nobody can be identically the same at two unidentical moments. Changes in his exterior continually lead to an inner reshuffling. The continuity of the ego is a myth. A man is an atom that perpetually breaks up and forms anew. We have to show things…
![Rosemary Lee’s Square Dances (2011)](https://robertvesty.com/wp-content/uploads/2012/02/images-sq-dance.jpeg)
Rosemary Lee’s Square Dances (2011)
![Dog Kennel Hill Project @ The Place](https://robertvesty.com/wp-content/uploads/2010/05/people-working-flyer-copy.jpg)
Dog Kennel Hill Project @ The Place
I’m working with Dog Kennel Hill Project this weekend. Their ‘People Working’ is a peformance tour around The Place’s building. The Place is celebrating its 40th birthday and this tour runs 5 times over the weekend, taking an audience of 10 through the basements, offices, cupboards and rooms of the building. In each performers ‘work’. For…
![Square Dances – Review by Regan Hutchins](https://robertvesty.com/wp-content/uploads/2011/11/Sally-Mackey-images.jpeg)
Square Dances – Review by Regan Hutchins
![“Senior Moments” – 17/01/10, Margate, UK](https://robertvesty.com/wp-content/uploads/2010/01/beady-eye-17-01-10-4.jpg)
“Senior Moments” – 17/01/10, Margate, UK
Kristin Fredricksson of Beady Eye and I have been working together on a project which remains in development. The initial idea sprang from stories from older people, before migrating to a preoccupation with archiving movement. Once invited to scratch a performance at Margate’s Theatre Royal, Kristin and I decided we would concentrate on using older…
![Common Dance – over, but not over](https://robertvesty.com/wp-content/uploads/2009/11/Common-dance.jpeg)
Common Dance – over, but not over
Rosemary Lee’s Common Dance for this year’s Dance Umbrella festival was a big success – sold out at Gda every performance with long waiting list for returns, it was a shame more people couldn’t share what was, we were told by many, a ‘moving’ and ‘powerful’ experience. The Guardian’s Sanjoy Roy reviewed it with four…