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Common Dance – over, but not over
Rosemary Lee’s Common Dance for this year’s Dance Umbrella festival was a big success – sold out at Gda every performance with long waiting list for returns, it was a shame more people couldn’t share what was, we were told by many, a ‘moving’ and ‘powerful’ experience. The Guardian’s Sanjoy Roy reviewed it with four…
What_Now 2014
What_Now 2014 I’m writing now, at my desk, being sedentary, thinking, not thinking, a bit stuck (PhD chapter), then I’ll go to see Les Ballets C de la B and then I’ll come home and pack for this – four days occupying Siobhan Davies studios for What_Now 2014, and look forward to a different, and perhaps…
Dog Kennel Hill Project @ The Place
I’m working with Dog Kennel Hill Project this weekend. Their ‘People Working’ is a peformance tour around The Place’s building. The Place is celebrating its 40th birthday and this tour runs 5 times over the weekend, taking an audience of 10 through the basements, offices, cupboards and rooms of the building. In each performers ‘work’. For…
Gwineverra, Tom and the Enemy of Man
Gwineverra, Tom and the Enemy of Man is a graphic novel performance set at the very beginning of the 21st century. There is dream and death. The characters live in a crime-ridden city where the placement of action and words is offhand and seeks no forgiveness, yet is soft and ultimate, an instant memory, a mark. Something…
One Man Good Woman
I am making a solo show which not only aims to serve as practice in order to research the application of Brecht’s concept of Gestus but also tells the story of one good woman turned sour by the memory of one man. It is has a Hollywood frame, circa 1940s and uses Brecht’s The Good…
Square Dances – Review by Regan Hutchins
After the dance is over! My friend Regan Hutchins came to visit from Dublin. Here’s the piece he made on Square Dances for RTE Ireland’s Culture File programme. It was broadcast on Friday 28th October 2011. RTE Ireland’s Culture File Programme on Rosemary Lee’s Square Dances. Cover Image Illustration by Sally Mackey
