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Rosemary Lee’s Square Dances for Dance Umbrella
After performing in Rosemary Lee’s Common Dance (2009), I’m really pleased to be taking part in her latest Dance Umbrella commission – Square Dances. There are four dances performed by four distinct groups (men, women, children & dance students from The Place) in four distinct places – squares in and around the Bloomsbury area of…
What_Now 2014
What_Now 2014 I’m writing now, at my desk, being sedentary, thinking, not thinking, a bit stuck (PhD chapter), then I’ll go to see Les Ballets C de la B and then I’ll come home and pack for this – four days occupying Siobhan Davies studios for What_Now 2014, and look forward to a different, and perhaps…
Sand and Vision directed by Julyen Hamilton
Sand and Vision – a series of four solo pieces by Agostina D’alessandro, Billie Hanne, Anna Heuer Hansen and Robert Vesty. Directed by Julyen Hamilton. Brussels, April 2016 – Sand and Vision directed by Julyen Hamilton
Moscow Art Theatre trip – May 2008
I spent two weeks training at Moscow Art Theatre in late May. The exchange programme between MAT and University of Kent runs each year with up to a dozen students from MAT spending time in the Drama department in Canterbury in early May before an exchange later in the month. Set up by Stanislavski in 1897,…
Square Dances – Review by Regan Hutchins
After the dance is over! My friend Regan Hutchins came to visit from Dublin. Here's the piece he made on Square Dances for RTE Ireland's Culture File programme. It was broadcast on Friday 28th October 2011. RTE Ireland's Culture File Programme on Rosemary Lee's Square Dances. Cover Image Illustration by Sally Mackey https://secureservercdn.net/160.153.138.217/i3w.592.myftpupload.com/wp-content/uploads/2011/11/Square-Dance.mp3
Gwineverra, Tom and the Enemy of Man
Gwineverra, Tom and the Enemy of Man is a graphic novel performance set at the very beginning of the 21st century. There is dream and death. The characters live in a crime-ridden city where the placement of action and words is offhand and seeks no forgiveness, yet is soft and ultimate, an instant memory, a mark. Something…