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Gwineverra, Tom and the Enemy of Man
Gwineverra, Tom and the Enemy of Man is a graphic novel performance set at the very beginning of the 21st century. There is dream and death. The characters live in a crime-ridden city where the placement of action and words is offhand and seeks no forgiveness, yet is soft and ultimate, an instant memory, a mark. Something…
Rosemary Lee’s Square Dances for Dance Umbrella
After performing in Rosemary Lee’s Common Dance (2009), I’m really pleased to be taking part in her latest Dance Umbrella commission – Square Dances. There are four dances performed by four distinct groups (men, women, children & dance students from The Place) in four distinct places – squares in and around the Bloomsbury area of…
One Man Good Woman
I am making a solo show which not only aims to serve as practice in order to research the application of Brecht’s concept of Gestus but also tells the story of one good woman turned sour by the memory of one man. It is has a Hollywood frame, circa 1940s and uses Brecht’s The Good…
Common Dance – over, but not over
Rosemary Lee’s Common Dance for this year’s Dance Umbrella festival was a big success – sold out at Gda every performance with long waiting list for returns, it was a shame more people couldn’t share what was, we were told by many, a ‘moving’ and ‘powerful’ experience. The Guardian’s Sanjoy Roy reviewed it with four…
Matthias Sperling, Group Study, Brunel University
Matthias Sperling working with Guido Orgs (Cognitive Scientist) at Brunel University, May 2015 Matthias invited myself and nine other dance artists to take part in an experiment. Part of an ongoing research project hosted by Guido Orgs and Staci Vicary (Brunel University). The project involved performers with dance backgrounds learning and performing a task-based group score. Set in the…
nightrunning 14 November 2014
NIGHTRUNNING ON HACKNEY MARSHES (Nightrunning happened from 6pm on Friday 14th November 2014, Hackney Marshes, East London with twenty participants – led by myself and James Cross. It was inspired by Gardzienice’s actor-training practice which focuses on communal breath and rhythmic practice.) Inspired by the night, I wrote the following poem the next day as…
