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Sand and Vision directed by Julyen Hamilton
Sand and Vision – a series of four solo pieces by Agostina D’alessandro, Billie Hanne, Anna Heuer Hansen and Robert Vesty. Directed by Julyen Hamilton. Brussels, April 2016 – Sand and Vision directed by Julyen Hamilton
Gwineverra, Tom and the Enemy of Man
Gwineverra, Tom and the Enemy of Man is a graphic novel performance set at the very beginning of the 21st century. There is dream and death. The characters live in a crime-ridden city where the placement of action and words is offhand and seeks no forgiveness, yet is soft and ultimate, an instant memory, a mark. Something…
Square Dances – Review by Regan Hutchins
After the dance is over! My friend Regan Hutchins came to visit from Dublin. Here’s the piece he made on Square Dances for RTE Ireland’s Culture File programme. It was broadcast on Friday 28th October 2011. RTE Ireland’s Culture File Programme on Rosemary Lee’s Square Dances. Cover Image Illustration by Sally Mackey
Matthias Sperling, Group Study, Brunel University
Matthias Sperling working with Guido Orgs (Cognitive Scientist) at Brunel University, May 2015 Matthias invited myself and nine other dance artists to take part in an experiment. Part of an ongoing research project hosted by Guido Orgs and Staci Vicary (Brunel University). The project involved performers with dance backgrounds learning and performing a task-based group score. Set in the…
“Senior Moments” – 17/01/10, Margate, UK
Kristin Fredricksson of Beady Eye and I have been working together on a project which remains in development. The initial idea sprang from stories from older people, before migrating to a preoccupation with archiving movement. Once invited to scratch a performance at Margate’s Theatre Royal, Kristin and I decided we would concentrate on using older…
Dog Kennel Hill Project @ The Place
I’m working with Dog Kennel Hill Project this weekend. Their ‘People Working’ is a peformance tour around The Place’s building. The Place is celebrating its 40th birthday and this tour runs 5 times over the weekend, taking an audience of 10 through the basements, offices, cupboards and rooms of the building. In each performers ‘work’. For…