Similar Posts
My MA thesis: What to do with Gestus Today? Version II
Even when a character behaves by contradictions that’s only because nobody can be identically the same at two unidentical moments. Changes in his exterior continually lead to an inner reshuffling. The continuity of the ego is a myth. A man is an atom that perpetually breaks up and forms anew. We have to show things…
Square Dances – Review by Regan Hutchins
Moscow Art Theatre trip – May 2008
I spent two weeks training at Moscow Art Theatre in late May. The exchange programme between MAT and University of Kent runs each year with up to a dozen students from MAT spending time in the Drama department in Canterbury in early May before an exchange later in the month. Set up by Stanislavski in 1897,…
Common Dance – over, but not over
Rosemary Lee’s Common Dance for this year’s Dance Umbrella festival was a big success – sold out at Gda every performance with long waiting list for returns, it was a shame more people couldn’t share what was, we were told by many, a ‘moving’ and ‘powerful’ experience. The Guardian’s Sanjoy Roy reviewed it with four…
Gwineverra, Tom and the Enemy of Man
Gwineverra, Tom and the Enemy of Man is a graphic novel performance set at the very beginning of the 21st century. There is dream and death. The characters live in a crime-ridden city where the placement of action and words is offhand and seeks no forgiveness, yet is soft and ultimate, an instant memory, a mark. Something…