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“Senior Moments” – 17/01/10, Margate, UK
Kristin Fredricksson of Beady Eye and I have been working together on a project which remains in development. The initial idea sprang from stories from older people, before migrating to a preoccupation with archiving movement. Once invited to scratch a performance at Margate’s Theatre Royal, Kristin and I decided we would concentrate on using older…
One Man Good Woman
I am making a solo show which not only aims to serve as practice in order to research the application of Brecht’s concept of Gestus but also tells the story of one good woman turned sour by the memory of one man. It is has a Hollywood frame, circa 1940s and uses Brecht’s The Good…
Matthias Sperling, Group Study, Brunel University
Matthias Sperling working with Guido Orgs (Cognitive Scientist) at Brunel University, May 2015 Matthias invited myself and nine other dance artists to take part in an experiment. Part of an ongoing research project hosted by Guido Orgs and Staci Vicary (Brunel University). The project involved performers with dance backgrounds learning and performing a task-based group score. Set in the...
Sand and Vision directed by Julyen Hamilton
Sand and Vision – a series of four solo pieces by Agostina D’alessandro, Billie Hanne, Anna Heuer Hansen and Robert Vesty. Directed by Julyen Hamilton. Brussels, April 2016 – Sand and Vision directed by Julyen Hamilton
Dog Kennel Hill Project @ The Place
I’m working with Dog Kennel Hill Project this weekend. Their ‘People Working’ is a peformance tour around The Place’s building. The Place is celebrating its 40th birthday and this tour runs 5 times over the weekend, taking an audience of 10 through the basements, offices, cupboards and rooms of the building. In each performers ‘work’. For…
Moscow Art Theatre trip – May 2008
I spent two weeks training at Moscow Art Theatre in late May. The exchange programme between MAT and University of Kent runs each year with up to a dozen students from MAT spending time in the Drama department in Canterbury in early May before an exchange later in the month. Set up by Stanislavski in 1897,…