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Sand and Vision directed by Julyen Hamilton
Sand and Vision – a series of four solo pieces by Agostina D’alessandro, Billie Hanne, Anna Heuer Hansen and Robert Vesty. Directed by Julyen Hamilton. Brussels, April 2016 – Sand and Vision directed by Julyen Hamilton
Matthias Sperling, Group Study, Brunel University
Matthias Sperling working with Guido Orgs (Cognitive Scientist) at Brunel University, May 2015 Matthias invited myself and nine other dance artists to take part in an experiment. Part of an ongoing research project hosted by Guido Orgs and Staci Vicary (Brunel University). The project involved performers with dance backgrounds learning and performing a task-based group score. Set in the…
What_Now 2014
What_Now 2014 I’m writing now, at my desk, being sedentary, thinking, not thinking, a bit stuck (PhD chapter), then I’ll go to see Les Ballets C de la B and then I’ll come home and pack for this – four days occupying Siobhan Davies studios for What_Now 2014, and look forward to a different, and perhaps…
Square Dances – Review by Regan Hutchins
After the dance is over! My friend Regan Hutchins came to visit from Dublin. Here’s the piece he made on Square Dances for RTE Ireland’s Culture File programme. It was broadcast on Friday 28th October 2011. RTE Ireland’s Culture File Programme on Rosemary Lee’s Square Dances. Cover Image Illustration by Sally Mackey
nightrunning 14 November 2014
NIGHTRUNNING ON HACKNEY MARSHES (Nightrunning happened from 6pm on Friday 14th November 2014, Hackney Marshes, East London with twenty participants – led by myself and James Cross. It was inspired by Gardzienice’s actor-training practice which focuses on communal breath and rhythmic practice.) Inspired by the night, I wrote the following poem the next day as…
Gwineverra, Tom and the Enemy of Man
Gwineverra, Tom and the Enemy of Man is a graphic novel performance set at the very beginning of the 21st century. There is dream and death. The characters live in a crime-ridden city where the placement of action and words is offhand and seeks no forgiveness, yet is soft and ultimate, an instant memory, a mark. Something…
